Indigenous art authenticity under scrutiny

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    • #1800356
      Jan Fisher
      Keymaster

      There’s been a bit of a stir in the art world with the discovery that some Indigenous art is not authentic as it might seem.

      Footage has been published of white ‘assistants’ helping to complete artworks and it seems to have everyone in a bit of a state.

      This should come as no surprise to anyone who has anything to do with commercial Indigenous artworks. The system is rife with dodginess from top to bottom.

      But does it really matter? Plenty of the old masters had ‘workshops’ where assistants completed the artistic vision and even famous modern artists are known for leaving the hard work to a bevy of underlings.

      A lot of words like ‘integrity’, ‘reputation’ and ‘troubling’ are being thrown about right now about the issue, probably because money is involved.

      Do you think it’s a problem if other people have worked on an artwork?

    • #1800468
      David Watherston
      Participant

      That is why I like Tommy Crow’s paintings and know that Tommy alone has painted them.

    • #1800556
      KSS
      Participant

      The techniques for producing ‘Aboriginal art’ i.e. the use of dots, cannot be copyrighted. Anyone can use the same technique. Likewise the configurations of dots into circles, lines etc. Likewise symbols for feet, kangaroo, emu etc. These are simply painting techniques that anyone can use to create an original work whether Indigenous or not. There is problem with doing that.

      The real issue is not recreating or reproducing the techniques, but attaching to it the implication that it was painted by an Aboriginal person or worse a named person who did not actually paint the works. That is a fraudulent act, not the painting itself.

      The only sure way to buy the genuine article by an Aboriginal artist is to buy directly from the artist or through their agent from reputable art galleries. And be prepared to pay handsomely for it. But even that is no guarantee that an ‘assistant’ did not help to create the work. And as long as the genuine artist had knowledge of and gave consent to it, there is no issue. This is a fabricated complaint under the cloak of outrage being generated about all things Indigenous good, non-Indigenous bad in the current climate.

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