First images for Wildlife Photographer of the Year competition revealed

A stoat ‘dancing’ over the snow, a David Bowie spider and a jaguar going for the kill are among the first images released from this year’s Wildlife Photographer of the Year.

More than a dozen highly commended images have been unveiled by the Natural History Museum for this year’s competition.

It comes ahead of the winners being announced at a ceremony hosted by TV presenters and conservationists Chris Packham and Megan McCubbin on 8 October.

Among the newly released images, which received highly commended awards in their categories, are Jose Manuel Grandio’s joyous image of a stoat jumping high into the air over fresh snow and young photographer Sasha Jumanca’s shot of two curious tawny owlets.

The moment a jaguar delivers a fata bit to a caiman in the Pantanal. (Ian Ford/Wildlife Photographer of the Year)
The moment a jaguar delivers a fatal bite to a caiman in the Pantanal. (Ian Ford/Wildlife Photographer of the Year)

Randy Robbin’s photo of the frosted body of a deer on the forest floor was also unveiled as the first-ever awarded smartphone image.

A jaguar delivering a fatal bite to a caiman in the Pantanal in Brazil was captured by British photographer Ian Ford.

Meanwhile, Theo Bosboom’s image showed how mussels bind together to avoid being washed away from the shoreline in Sintra, Portugal.

Also among the 14 images that have been released are shots of lions mating with a backdrop of storm clouds in Tanzania, a Pallas’ cat staring down the lens as the moon sets in China, a jackdaw bringing stones to its nest in London, and a requiem shark in a final act of resistance in the bycatch of a ship in the South Atlantic.

Theo Bosboom shows how mussels bind together to avoid being washed away from the shoreline
Theo Bosboom shows how mussels bind together to avoid being washed away from the shoreline. (Theo Bosboom/Wildlife Photographer of the Year)

An exhibition of the top 100 images submitted to the competition opens at the Natural History Museum in London on 11 October, before going on a UK and international tour.

Kathy Moran, chair of the judging panel, said: “In this selection, you see species diversity, a range of behaviour and conservation issues.

“These images represent the evolution of the competition through the years, from pure natural history to photography that fully embraces representation of the natural world – the beauty and the challenges.”

To mark the 60th anniversary of the competition in 2024, the museum’s flagship exhibition will feature a timeline of key moments in its history.

Young photographer Sasha Jumanca finds two tawny owlets curiously watching people walk by in Munich, Germany.
Young photographer Sasha Jumanca finds two tawny owlets curiously watching people walk by in Munich, Germany. (Sasha Jumanca/Wildlife Photographer of the Year)

This year’s competition attracted a record-breaking 59,228 entries from photographers of all ages and experience levels from 117 countries and territories.

Entries were judged anonymously by an international panel of industry experts on their creativity, originality and technical excellence.

A new award in both the young and adult competitions, called the Impact Award, has also been introduced this year to recognise a conservation success, a story of hope or positive change.

Dr Doug Gurr, director of the museum, said: “As we celebrate sixty years of Wildlife Photographer of the Year, we also celebrate the generations of visitors who have been inspired by the beauty and majesty of its images, and the millions of connections made with nature.”

Lam Soon Tak spots a vibrantly coloured David Bowie spider carrying an egg sac.
Lam Soon Tak spots a vibrantly coloured David Bowie spider carrying an egg sac. (Lam Soon Tak/Wildlife Photographer of the Year)

“Over the decades, Wildlife Photographer of the Year has pushed the boundaries of wildlife photography as the competition evolved alongside technological advancements.

“But still today, the competition remains true to one of its founding objectives: ‘to enhance the prestige of wildlife photography in the hope that ultimately the awards would benefit animals ‘by creating greater public interest in them and in that all-important topic – conservation.’”

Wildlife Photographer of the Year is developed and produced by the Natural History Museum, London, supported by Associate Donor The William Brake Foundation.

Which of the photographs above is your favourite? Why not share your opinion in the comments section below?

Also read: Australia’s best photo destinations, chosen by photographers

– With Rebecca Speare-Cole

- Our Partners -

DON'T MISS

- Advertisment -
- Advertisment -